Is Inkitt the Right Platform for Authors?

Ink photo

This article was first published on 30th August 2016 on my other website, but it has been of great help to writers, so I thought I’d repost it here.

Are you a writer looking for reviews or thinking about getting published? Actively approaching reader communities is a good way to get feedback on your complete story, or for a sample or excerpt. Engaging reader community websites might be your next step towards adding those finishing touches, reaching new readers, or getting published. The following blog post will cover my experience of data-driven publisher and reader community Inkitt, and their recent Story Peak Contest, where three writers can win a publishing offer from them. I’ll address the positive and the negative aspects of the contest and what my thoughts are on Inkitt as a publishing company, which will hopefully give you some insights into how to make the most of the contest in achieving your writing aims or book marketing aims.

Should I enter the Story Peak Contest? That was the first question on my mind. A little research on Google on what other sites say about Inkitt leads to quite mixed results, and there wasn’t enough convincing information on either side to encourage me to fully decide one way or the other. The sites that were positive cited how amazing the platform was for connecting with readers and getting their stories noticed, and that some writers were going to eagerly upload their latest story to future contests. However, I spent more time looking at the negative points on sites, to see if there were any valid concerns before I entered their latest contest. Some cynical sites will tell you they are notorious spammers, that you’re giving away first English language rights by uploading your content to their site, or that it’s silly to ‘publish’ your story on Inkitt for them to maybe offer you a ‘publishing’ deal afterward. Some of us have become so suspicious of new start-up publishing companies that our attitude is to dismiss them out of hand, and based on what I’ve experienced or seen I can understand.

Before I entered their contest, I asked a few questions to see if they could clear up some of my concerns about the above points. The responses I got were prompt and friendly, though perhaps a little vague. Sometimes different people would answer my questions, which was confusing, but at least they had names and job descriptions. I was soon wondering if I was asking stupid questions. The reason for this is because the instructions on their website are short and simple, Spartan one might say, and we writers like to ask questions and worry about the details. A few things came back to my mind to reassure me: All Rights Reserved was posted beside the writer’s name on every story uploaded to the Inkitt website; and on the few occasions in the past when they have contacted my writer website, they have been friendly and reasonable. I haven’t been spammed by Inkitt on Twitter.

Kroll-Magnificence-Image
Current Kroll: Magnificence photo.

I entered the Story Peak Contest early August 2016, with my title Kroll: Magnificence, in the hopes of getting feedback from prospective readers. In the contest, only 100 readers can reserve copies of your story, so if you’re concerned that the entire reading community out there are going to read your latest creation, then don’t be. Those who don’t reserve a copy can only see a short sample. Your job is to build your readership from the ground up, persuading your already existing fans or maybe new fans to reserve their copy, read your story, and leave feedback on the Inkitt site, in the space of about a month. No, you don’t have much time, and if you haven’t got many friends and family who are willing to read your story, you’re going to really have to put in the legwork if you’re going to get anywhere. Indeed, my experience in this contest taught me the same lesson again about reaching readers: the onus is on you. Readers aren’t going to magically gravitate to your story, and then go out of their way to read your story and leave feedback; they need a reason and you need to give them that reason. As a result, getting through the ‘first round’ is not the cakewalk you’d expect it to be. 15 copies of my title disappeared like hot cakes, and I had a real belief I was overtaking the other titles and would get through with ease, but I was wrong. After my preliminary efforts, only 3 more copies were reserved for the remaining three weeks, and I only had myself to blame for my lack of effort. I don’t see it as a failure because it gave me an excuse to ask for feedback on Kroll. More on that below…

 

Okay, so the positive

Inkitt do take on board writer feedback. Their contest rules, including prior and existing contests, have changed in response to writer feedback, which shows they are prepared to listen and adapt accordingly. Despite their supposed reliance on an objective algorithm, they aren’t uncompromising with writers.

During the contest, I was emailed to be informed I was given a second chance to build my readership when a ‘second round’ to the Story Peak Contest was going to be added, extending the contest. Inkitt also gave writers more control over who was allowed to reserve a copy, encouraging a system whereby only those who submit feedback/reviews would keep their copy. I welcomed this change because it meant writers could control their involvement in the contest and build reader loyalty. After all, 100 readers is the official aim of the contest, but reviews are the main goal of every writer and could well determine success if you manage to get your 100 readers and move to the second round.

Inkitt does provide a handy dashboard for analysing your analytics, and a promotion to-do list that points writers in the right direction to build a readership. It encourages you to succeed, and doesn’t discriminate (at least until the second round).

Whenever I asked Inkitt questions, the people responding would reply in a friendly and efficient manner, and were happy to address my issues. I was under the impression Inkitt were a writer-friendly company determined to adapt to succeed. Though some have doubted their publishing experience and background online, they have a drive to succeed by interacting with a multitude to writers and they seem to be catching on how to we think and responding positively to our needs by changing contest models.

Entering the contest was a worry for me at first. Do I upload my whole unpublished story? Is it wise to do that on a website I know so little about? However, it gave me the motivation to ask friends and family for feedback, and some were more than happy to be asked, for which I was thankful. In a publishing industry where there are no guarantees with book marketing, the simple goals of the contest gave me the push I needed to make an effort on my own behalf to get some reviews. Thanks Inkitt! I went into the contest with nobody having read more than a chapter of Kroll, and came out of the contest with over five people having read at least five chapters, if not the whole thing. It doesn’t sound vastly impressive for a writer, but considering Kroll: Magnificence is an unpublished story that I haven’t shared, I did feel I made reader connections with friends and that I came out of the contest with a sack (of reviews).

 

The negative parts

When you have your 100 readers, and hopefully, some well earnt good reviews, you advance to the next round where Inkitt will decide who gets published based on their algorithm/system for measuring reader engagement. ‘Algorithm’ can be off-putting for writers, who may mistrust exactly how Inkitt will perceive your story’s success to make it more of a success… Furthermore, it is a source of anxiety what will become of your story if you make it to the next round. Do you just sit tight and wait, and how long do you wait for? How will the second round be carried out? These questions are not answered on the Inkitt website.

Personally, I like to see a publishing company that specialises in certain types of books because it gives me the confidence that my story, and me as a writer, would fit with what the publisher stands for or publishes. Inkitt’s positive every-writer-is-welcome was nice, but if I was offered a publishing deal would I be convinced I was with the right people and company? In their contest description, they do imply they can act as a bridge between A-list publishers and writers, but there are no guarantees here. I’m sure the arrangement would work very well if your story has an exploding readership. Coupled with Inkitt’s promotion, it could work to your advantage. But if readers and reader engagement ebbs then you’re going to see the contest, or your efforts in promoting the contest, as being the main reasons you built a decent readership. I suppose in some ways it depends on the publishing contract and what they can do for you.

Some readers I was in communication with felt it was inconvenient to read from the Inkitt website, which is a problem that may be somewhat rectified once the Inkitt app has been released. Some also were put off by the idea of reading a whole story in approximately one month, but for the sake of a contest I don’t see how this feature could be improved.

On the Inkitt website, I had overlooked the fact that they imply that in a publishing contract you would give your rights to Inkitt, presumably instead of licensing them, and you would get them back if Inkitt didn’t sell 1000 books in twelve months. Some writers might be uncomfortable with this arrangement, but this is only if you are offered a publishing deal. To reiterate, you don’t surrender any rights by uploading your excerpt or your entire story onto the Inkitt website.

 

Overall verdict

The people who work at Inkitt are writer-friendly in that they listen to writers’ needs, change their contest models, and are happy to explain any issues with prompt replies. This gives me confidence and trust in their company. Their contests are amazing concepts for bringing readers towards their website, and therefore for fostering a future reading community, like Wattpad perhaps. Not only are the contests improving, but they keep targeting different types of readers, which is smart of them.

The people I reached out to were curious about Inkitt, and wanted to learn more. Writers end up being advocates for Inkitt in the hope they can translate this into advancement in the contest, and crucially, more feedback for their complete story.

If you’re looking for a fast way to gain new readers automatically, forget it! You must put in the time to promote your story and reach out to existing or new readers, even if you’re using Inkitt’s handy dashboard. Though it doesn’t state that the reader must read the entire story to write a review, I would recommend asking them to read the first five chapters, especially if they have to read on the Inkitt website.

What happens if you have 100 readers and some decent and positive feedback, after all your efforts? You might get a publishing deal with Inkitt, which might be a good thing, once you’ve seen what it entails and how they can help you reach even more readers. They do the editing, design, and even run the marketing campaigns. Unfortunately, more details or at least an FAQ section isn’t available to view, so I’d recommend to Inkitt that they write something to that effect. Their new website design states that they are a revolutionary literary agent, which is a well-considered angle, if they hope to pitch your story to A-list/traditional publishers, where your story would be published a second time and Inkitt would be the middle-man. If you trust Inkitt, they could work well as literary agents, but you need to be sure they can deliver as literary agents, who usually have a lot of connections and past experience in publishing or are members of an association. They also need to write why they are best placed to become your literary agent. At the moment, there is no guarantee that an A-list publisher would make an agreement with Inkitt, though they have done for past titles published by Inkitt (Bright Star by Erin Swan for example) as is currently visible in a slideshow on their website. As a writer I assumed popularity would interest A-list publishers, but exactly how much popularity is necessary? No, I’m sorry but we writers need more than just a “maybe” made clear to all of us. We need to know in detail what’s great about being published by Inkitt, what’s great about Inkitt as our literary agent, and what’s great about our chances of being published by an A-list publisher in terms of what they can do for us. It might give us writers more motivation to succeed in the contests.

Inkitt’s Website

Kroll: Magnificence on Inkitt

Original Post and Discussion

What is copy editing and proofreading?

In a nutshell
  1. Developmental editing is for authors who have an incomplete manuscript, and need help making it complete.
  2. Copy editing is for authors who have a complete manuscript, and need help making the writing ready to publish by making sure it is correct, consistent, logical, and suitable for intended readers.
  3. Typesetting/formatting is for authors who have a complete manuscript, and need help preparing it for publication in a specific format.
  4. Proofreading is for authors who have a complete manuscript ready to publish, and need a ‘final check’ for accuracy, inconsistency, error, and presentation of all necessary elements.

There are many different definitions used by editors or proofreaders for the same or similar services involved in book production. For example, sometimes developmental editing is synonymous with substantive editing, structural editing, or manuscript critique. The below are my definitions of the book production process, based on my experience and understanding.

Developmental editing

Developmental editing looks exclusively at the big picture aspects of a story: how the overall narrative works in relation to the structure, characters, plot, dialogue, themes, and concept of the story. It’s intended to make sure that it is as fully ‘developed’ as it needs to be, and can help give you guidance on where to take it from conception to completion. Developmental editors won’t read line-by-line, as with copy editors, but will focus on particular extracts or paragraphs within a given scene or chapter and will offer suggestions for improvement. In this sense, they work at the paragraph-level and not the sentence-level.

There are two main types of developmental editing: ‘substantive editing’ and ‘manuscript critique’. Substantive editing may involve substantial rewriting or restructuring, which can be taken as suggestions by the author. In this way, it is a heavy form of editorial intervention, for authors who may not be confident with their story or writing and could benefit from an expert editor. Some forms of substantive editing have differing levels of intervention. It could go on a scale that places it as a higher form of intervention than ‘line editing’, which looks more at improving the flow of writing at the sentence-level, and ‘copy editing’, which looks more at the technical parts of language than on improving the writing.

There is also a ‘manuscript critique’, which will offer a report in the form of an editorial letter, offering constructive criticism and feedback to guide the author by commenting on their strengths and weaknesses in structure, characters, plot, dialogue, themes, and concept. With this information, the author can then work on the problem areas themselves.

Copy editing

Copy editing involves making sure that the writing style is appropriate for the intended readership, the structure of the publication is logical and complete, and the writer’s message is clear. Some copy editors will offer suggestions on the structure and style of sentences where there is inconsistency, ambiguity, disrupted flow, or where there are issues to be raised.

Copy editors, as with proofreaders, correct and mark-up errors of spelling, grammar, and punctuation, and use a style sheet and checklist to verify that all writing elements are consistent and make sense. However, copy editors are permitted to intervene more than proofreaders because they typically work on an unedited and unrefined version of the author’s manuscript, and there is therefore more scope for changes to be made. In situations where the manuscript requires more intervention, the copy editor will raise queries with the author to verify facts and better understand the author’s intention.

It’s the copy editor’s responsibility to make sure that:

  1. The writing is correct, flows well, makes sense, and is suitable for the intended readership
  2. Stylistic decisions are consistent according to standard conventions or preferred style
  3. Use of language is accurate such as word usage, repetitive or superfluous words, tense, and point of view
  4. The presentation is of the highest quality and consistent, setting the standard for readers’ expectations
  5. The writing of the manuscript is fit for publication and ready for designing, formatting, proofing, printing, and publishing

Copy editors traditionally work on a more incomplete version of the manuscript, before it has been designed and typeset/formatted. Proofreading comes in at a later stage, used as a final check that there are no lingering errors. The term ‘copy editing’ comes from when an editor, traditionally working for a publishing house, would glance at a ‘copy’ (unedited original manuscript) and work on a ‘proof’ (to-be-edited copy) side-by-side.

Proofreading

Proofreading requires marking-up errors of spelling, punctuation, and grammar, using a style sheet and checklist to verify that writing is consistent and makes sense.

Proofreading is a stage that traditionally comes after copy editing, and is used as a ‘final check’ to correct any lingering typographical errors, or even new ones that have been introduced if there have been multiple rounds of editing between editors and the author. Therefore, the proofreader reads for consistency and sense, and only intervenes when there is a discrepancy because they must keep in mind that they are working on a manuscript that is close to a published version and cannot afford to make any unnecessary or costly changes that could have repercussions.

Some of the textual elements a proofreader checks include capitalisation, hyphenation, spelling, style, abbreviations, time and date. Some of the design elements a proofreader checks include page numbers, running headlines, headings, tables, illustrations, captions, references, cross-references, widows and orphans, and footnotes.

  

The Inkitt App Brings Thousands of Novels by Indie Authors to Android

Inkitt empowers readers and publishers to discover world’s next best sellers

BERLIN, JANUARY 7, 2017: Inkitt, the world’s first readers and data-driven book publishing house is introducing an Android app for phones and tablets, globally available from today.

Inkitt’s iOS app became available back in November and was well received by users: The app was not only featured on the US App Store but also on numerous other App Stores around the world, as well as on the front page of Product Hunt, ranking in the top 10 in Tech.

Inkitt for iOS featured as a top Books app in the US App Store

Following the warm welcome by the iOS community, and in order to meet the demand of their own fast growing user base, Inkitt is now bringing their digital library with thousands of novels by emerging authors to Android devices.

“It was a great reward to see Inkitt featured as a top app in numerous App Stores around the world and receive such great feedback from users” says Inkitt’s Founder and CEO, Ali Albazaz. “Readers were really excited about the iOS app but kept asking when we’re launching on Android too. We heard them, worked really hard and today we’re bringing Inkitt to Android devices. All readers will now be able to discover tomorrow’s bestsellers on the go and read great novels by upcoming authors wherever they are.”

Inkitt for Android – 4 key features:

  • Access to thousands of novels from all fiction genres: fantasy, sci-fi, mystery, thriller, horror, romance, drama, action, adventure, YA and more
  • Personalized reading suggestions: hand-picked novels based on a reader’s favorite fiction genres
  • Customizable look to match user preferences (e.g. font size, color combinations)
  • Online/Offline: readers can save novels to their offline library to access them anytime

Inkitt for Android will be available to download on Google Play from the 7th of January 2017

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Beyond being a platform connecting aspiring authors with book lovers, Inkitt’s mission is to become the world’s fairest publishing house: Its in-house developed algorithm analyzes reading behavior to determine the potential of a novel to become the next bestseller. Using this unique data-driven approach, Inkitt wants to ensure that great works by new and talented writers never again stay in the dark.

Since July, Inkitt has published 7 novels: Catalyst Moon: Incursion by Lauren L. Garcia (Fantasy), Just Juliet by Charlotte Reagan (YA Romance), I Was A Bitch by Emily Ruben (YA Romance Mystery), Esper Files by Egan Brass (SciFi) and Caged by Onaiza Khan (Psychological Thriller),  King’s Lament by Lilia Blanc (Fantasy Romance) and Three Fat Singletons by J.M. Bartholomew (Humor Romance), six of which became bestsellers on Amazon

 

 

 

 

 

 

 

 

 

 

 

 

……………………………….

About Inkitt

On the surface, Inkitt (www.inkitt.com) is a platform where aspiring writers can share their novels and inquisitive readers can unearth fresh content. But under the hood, we are democratizing publishing: The Inkitt algorithm analyzes reading behavior to predict future bestsellers. In other words: if readers love it, Inkitt publishes it.

MEDIA CONTACT

marvin@inkitt.com

 

Inkitt’s New and Noteworthy Fantasy Novels

 

Inkitt is a publisher that champions writers by providing them with a platform to showcase their writing to the thousands of readers on Inkitt, who are free to read as-yet-unpublished gems in a range of genres: fantasy, science fiction, horror, romance, humour, thriller, or mystery.

Today I’m posting a bit about the fantasy ebooks Inkitt loves, and those ebooks that harbour fantasy worlds you really want to lose yourself in. Click on the banners and take a quick read of the variety of fantasy. If one takes your fancy you can take a closer look at the book page’s description and an extract, or even the whole story. Some ebooks are entered in contests and you are encouraged to reserve a copy if you want to read the whole ebook, which is exciting.

Click me 🙂

 

Inkitt is a team of friendly professionals who are committed to helping soon-to-be authors connect with their readers. Inkitt doesn’t discriminate based on subjective taste, preferring to differentiate itself from the traditional way of selecting which books should become bestsellers. What’s great about this is that it encourages diversity in writing in niche genres, as well as mainstream ones, and can give those authors hope that they can reach more readers and have the potential to become bestsellers, especially with the online tools on their account dashboard. Here is a bit about Inkitt, in its own words:

“For those of you who are not familiar with Inkitt, they are the first readers-driven book publisher and a fast growing community for emerging authors and book lovers.

Inkitt’s mission is to help rising talent get discovered: as readers read novels on the Inkitt website (or their iOS app), the Inkitt algorithm analyzes reading behavior to predict future bestsellers. If readers love it, Inkitt publishes it! To date Inkitt has published 5 books with 6 more on the way.
If you’re looking for new and noteworthy novels, then definitely have a look at these reading lists. Discover these hidden gems and help new talent shine!”

Is my story ready to be copy edited?

In a nutshell
  1. Developmental editing is for authors who have an incomplete manuscript, and need help making it complete.
  2. Copy editing is for authors who have a complete manuscript, and need help making the writing ready to publish by making sure it is correct, consistent, logical, and suitable for intended readers.
  3. Typesetting/formatting is for authors who have a complete manuscript, and need help preparing it for publication in a specific format.
  4. Proofreading is for authors who have a complete manuscript ready to publish, and need a ‘final check’ for accuracy, inconsistency, error, and presentation of all necessary elements.
Before I hire a professional copy editor

Before you consider hiring a professional, it is helpful for you to read resources about how you can self-edit your story, to improve it to the best of your ability in terms of writing, characterisation, plot, overall narrative, and structure. A self-edit is not a substitute for hiring a professional editor, but it can help make sure your story is in the best shape possible; which will make the process easier for you and the editor, and is more likely to help improve the quality. Ultimately, time spent on self-editing your story will mean less money is spent on your editing, and it’ll be less likely that you’ll need the help of different professionals before publishing.

It’s also recommended before considering hiring an editor to get honest feedback on what trusted friends think of your writing. Join writing groups, online writer communities and forums, or find beta-readers to get an objective view of your story. These book lovers will help you see your story from the point of view of readers and it’s wise to take on board their advice, build on your strengths, and compensate for any weaknesses. It’s not always appealing for writers, at least in my experience as a writer, to listen to what other readers think, but the value of reader’s feedback and an outside perspective should not be underestimated or dismissed if you want to move your writing and your story forward.

When do I hire a professional copy editor?

Once the story is complete, in terms of the structure, plot, and overall concept, then it is time for the author to consider working with a copy editor. Some copy editors prefer the author to have had their story developmentally edited, self-edited, or beta-read before they accept to work on it. However, these are guidelines for new authors rather than strict rules. In practice, most copy editors will request to edit a sample of the story to get a feel for the writing, see how much editing is involved, and assess if it is ready to be edited; as well as such things as how suitable the story is for them to work on and how much the editing will cost.

Do I need copy editing?

There is no obligation for the independent author to hire a copy editor but it is recommended for ‘professional’ authors who are serious about working as a writer for a living, getting positive reviews, and writing for their readership. Many authors decide to work with copy editors based on the advice or feedback they receive from beta-readers or other writing professionals. Publishers use copy editors because they know that their expertise can help ensure that the quality of the story is in line with reader expectations. In this way copy editing acts like a bridge between the author and the reader.

If you only intend to publish for family and friends and you are not concerned what your potential readership thinks of your writing, then it might not be worth investing in a copy editor. Even though many independent authors begin by not writing for a readership, only writing and publishing to prove that they can and to hone their skills, later these same independent authors may easily want to appeal to a particular group of readers or are confident enough to publish professionally.

What is copy editing?

Copy editing involves making sure that the writing style is appropriate for the intended readership, the structure of the publication is logical and complete, and the writer’s message is clear. Some copy editors will offer suggestions on the structure and style of sentences where there is inconsistency, ambiguity, disrupted flow, or where there are issues to be raised.

Copy editors, as with proofreaders, correct and mark-up errors of spelling, grammar, and punctuation, and use a style sheet and checklist to verify that all writing elements are consistent and make sense. However, copy editors are permitted to intervene more than proofreaders because they typically work on an unedited and unrefined version of the author’s manuscript, and there is therefore more scope for changes to be made. In situations where the manuscript requires more intervention, the copy editor will raise queries with the author to verify facts and better understand the author’s intention.

It’s the copy editor’s responsibility to make sure that:
  1. The writing is correct, flows well, makes sense, and is suitable for the intended readership
  2. Stylistic decisions are consistent according to standard conventions or preferred style
  3. Use of language is accurate such as word usage, repetitive or superfluous words, tense, and point of view
  4. The presentation is of the highest quality and consistent, setting the standard for readers’ expectations
  5. The writing of the manuscript is fit for publication and ready for designing, formatting, proofing, printing, and publishing

Copy editors traditionally work on a more incomplete version of the manuscript, before it has been designed and typeset/formatted. Proofreading comes in at a later stage, used as a final check that there are no lingering errors. The term ‘copy editing’ comes from when an editor, traditionally working for a publishing house, would glance at a ‘copy’ (unedited original manuscript) and work on a ‘proof’ (to-be-edited copy) side-by-side.

 

Publisher Inkitt launches new iOS app

Today Inkitt is introducing an iOS app for iPhone and iPad available to readers globally. The iOS app will give book lovers and publishers greater access to Inkitt’s digital library of over 80,000 stories by up-and-coming authors. Key features include:

  • Access to 80,000 stories in every genre: fantasy, sci-fi, romance, thriller, horror, adventure, action and more
  • Personalized suggestions: hand-picked novels based on reader’s preferences
  • App customization according to user preferences (e.g. font size, colors)
  • Online/Offline: readers can save novels to their offline library to access them without an internet connection

Continue reading “Publisher Inkitt launches new iOS app”